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  • Interesting Nightline for Thursday

    Just saw the promo for Thursday's Nightline on ABC...Two pretty twin girls who are musicians...playing pro-Nazi music while wearing Hitler smiley face baby-girl tees...


    Wow... [img]style_emoticons/<#EMO_DIR#>/blink.gif[/img]
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  • #2
    When is this on?









    Comment


    • #3
      QUOTE(thetorch @ Oct 17 2005, 10:02 PM) Quoted post

      When is this on?










      [/b][/quote]

      I'm truly ashamed to say it, but I started giggling...I'm going to hell...

      BTW, it's Thursday night at 9 p.m., I believe...
      The OFFICIAL Lounge Sponsor of:

      Comment


      • #4


        Singers Lamb and Lynx Gaede may look like Mary-Kate and Ashley Olsen, but their songs send a message of White Nationalism that some call dangerous. (ABC News)



        ABC News
        Young Singers Spread Racist Hate
        Duo Considered the Olsen Twins of the White Nationalist Movement

        Oct. 20, 2005 — - Thirteen-year-old twins Lamb and Lynx Gaede have one album out, another on the way, a music video, and lots of fans.

        They may remind you another famous pair of singers, the Olsen Twins, and the girls say they like that. But unlike the Olsens, who built a media empire on their fun-loving, squeaky-clean image, Lamb and Lynx are cultivating a much darker personna. They are white nationalists and use their talents to preach a message of hate.

        Known as "Prussian Blue" -- a nod to their German heritage and bright blue eyes -- the girls from Bakersfield, Calif., have been performing songs about white nationalism before all-white crowds since they were nine.

        "We're proud of being white, we want to keep being white," said Lynx. "We want our people to stay white ... we don't want to just be, you know, a big muddle. We just want to preserve our race."

        Lynx and Lamb have been nurtured on racist beliefs since birth by their mother April. "They need to have the background to understand why certain things are happening," said April, a stay-at-home mom who no longer lives with the twins' father. "I'm going to give them, give them my opinion just like any, any parent would."

        April home-schools the girls, teaching them her own unique perspective on everything from current to historical events. In addition, April's father surrounds the family with symbols of his beliefs -- specifically the Nazi swastika. It appears on his belt buckle, on the side of his pick-up truck and he's even registered it as his cattle brand with the Bureau of Livestock Identification.

        "Because it's provocative," explains April of the cattle brand, "to him he thinks it's important as a symbol of freedom of speech that he can use it as his cattle brand."

        Teaching Hate

        Songs like "Sacrifice" -- a tribute to Nazi Rudolf Hess, Hitler's deputy Fuhrer -- clearly show the effect of the girls' upbringing. The lyrics praise Hess as a "man of peace who wouldn't give up."

        "It really breaks my heart to see those two girls spewing out that kind of garbage," said Ted Shaw, civil rights advocate and president of the NAACP's Legal Defense Fund -- though Shaw points out that the girls aren't espousing their own opinions but ones they're being taught.

        On that point, April Gaede and Ted Shaw apparently agree.

        "Well, all children pretty much espouse their parents' attitudes," she said. "We're white nationalists and of course that's a part of our life and I'm going to share that part of my life with my children."

        Since they began singing, the girls have become such a force in the white nationalist movement, that David Duke -- the former presidential candidate, one-time Ku-Klux-Klan grand wizard and outspoken white supremacist -- uses the twins to draw a crowd.

        Prussian Blue supporter Erich Gliebe, operator of one of the nation's most notorious hate music labels, Resistance Records, hopes younger performers like Lynx and Lamb will help expand the base of the White Nationalist cause.

        "Eleven and 12 years old," he said, "I think that's the perfect age to start grooming kids and instill in them a strong racial identity."

        Gliebe, who targets young, mainstream white rockers at music festivals like this past summer's "Ozzfest," says he uses music to get his message out.

        But with names like Blue-Eyed Devils and Angry Aryans, these tunes are far more extreme than the ones sung by Lamb and Lynx.

        "We give them a CD, we give them something as simple as a stick, they can go to our Web site and see other music and download some of our music," said Gliebe. "To me, that's the best propaganda tool for our youth."

        A Taste for Hate

        Gliebe says he hopes that as younger racist listeners mature, so will their tastes for harder, angrier music like that of Shawn Sugg of Max Resist.

        One of Sugg's songs is a fantasy piece about a possible future racial war that goes: "Let the cities burn, let the streets run red, if you ain't white you'll be dead."

        "I'd like to compare it to gangsta rap," explained Sugg, "where they glorify, you know, shooting n****** and pimping whores."

        Sugg shrugs off criticism that music like his should not be handed out to schoolyard children, arguing that "it's just music, it's not like you're handing out AK-47s."

        Perhaps not, but Shaw says it's the ideas in the music that are dangerous.

        "When you talk about people being dead if they're not white," said Shaw, "I don't think there is much question that that is hateful."

        A Place to Call Home

        Despite the success of Prussian Blue and bands like Max Resist within the White Nationalism movement, most Americans don't accept their racist message.

        Like many children across the country, Lamb and Lynx decided to help the victims of Hurricane Katrina -- the white ones.

        The girls' donations were handed out by a White Nationalist organization who also left a pamphlet promoting their group and beliefs -- some of the intended recipients were more than a little displeased.

        After a day of trying, the supplies ended up with few takers, dumped at a local shop that sells Confederate memorabilia.

        Last month, the girls were scheduled to perform at the local county fair in their hometown. But when some people in the community protested, Prussian Blue was removed from the line-up.

        But even before that, April had decided that Bakersfield was not "white" enough, so she sold her home, and hopes that she and the girls can find an all-white community in the Pacific Northwest.

        Copyright © 2005 ABC News Internet Ventures

        In that, bitches.
        But wait. There is something that can be done afterall. My good friend Angelo is a cop in the Tampa/Clearwater area. Since I kept all of the files from the access logs when I had the power to see them, guess what, I have everyone's IP addresses. Hmm..what can I do w/ those??
        ...

        Comment


        • #5
          QUOTE(Fred Garvin @ Oct 22 2005, 09:55 AM) Quoted post



          Singers Lamb and Lynx Gaede may look like Mary-Kate and Ashley Olsen, but their songs send a message of White Nationalism that some call dangerous. (ABC News)
          [/b][/quote]

          I'd hit it.

          Comment


          • #6
            QUOTE(Fred Garvin @ Oct 22 2005, 09:55 AM) Quoted post



            "We're proud of being white, we want to keep being white," said Lynx. [/b][/quote]
            Then don't go jumping into vats of chocolate
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            • #7
              QUOTE(ItsOnlyTheRiver @ Oct 22 2005, 10:11 AM) Quoted post

              QUOTE(Fred Garvin @ Oct 22 2005, 09:55 AM) Quoted post



              Singers Lamb and Lynx Gaede may look like Mary-Kate and Ashley Olsen, but their songs send a message of White Nationalism that some call dangerous. (ABC News)
              [/b][/quote]

              I'd hit it.
              [/b][/quote]

              You know at least one of the two if not both will eventually develop a case of Jungle Fever...just to see what all the fuss is about...
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              • #8
                QUOTE(skippy05 @ Oct 22 2005, 10:19 AM) Quoted post

                QUOTE(ItsOnlyTheRiver @ Oct 22 2005, 10:11 AM) Quoted post

                QUOTE(Fred Garvin @ Oct 22 2005, 09:55 AM) Quoted post



                Singers Lamb and Lynx Gaede may look like Mary-Kate and Ashley Olsen, but their songs send a message of White Nationalism that some call dangerous. (ABC News)
                [/b][/quote]

                I'd hit it.
                [/b][/quote]

                You know at least one of the two if not both will eventually develop a case of Jungle Fever...just to see what all the fuss is about...
                [/b][/quote]
                That's why you got to get in there early.

                Comment


                • #9
                  QUOTE(ItsOnlyTheRiver @ Oct 22 2005, 10:23 AM) Quoted post

                  QUOTE(skippy05 @ Oct 22 2005, 10:19 AM) Quoted post

                  QUOTE(ItsOnlyTheRiver @ Oct 22 2005, 10:11 AM) Quoted post

                  QUOTE(Fred Garvin @ Oct 22 2005, 09:55 AM) Quoted post



                  Singers Lamb and Lynx Gaede may look like Mary-Kate and Ashley Olsen, but their songs send a message of White Nationalism that some call dangerous. (ABC News)
                  [/b][/quote]

                  I'd hit it.
                  [/b][/quote]

                  You know at least one of the two if not both will eventually develop a case of Jungle Fever...just to see what all the fuss is about...
                  [/b][/quote]
                  That's why you got to get in there early.
                  [/b][/quote]

                  [img]style_emoticons/<#EMO_DIR#>/laugh.gif[/img] [img]style_emoticons/<#EMO_DIR#>/laugh.gif[/img] [img]style_emoticons/<#EMO_DIR#>/laugh.gif[/img] [img]style_emoticons/<#EMO_DIR#>/laugh.gif[/img]
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                  Comment


                  • #10
                    Only a matter of time until you see their spunk covered mugs here.
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                    • #11
                      QUOTE(ItsOnlyTheRiver @ Oct 22 2005, 10:11 AM) Quoted post

                      QUOTE(Fred Garvin @ Oct 22 2005, 09:55 AM) Quoted post



                      Singers Lamb and Lynx Gaede may look like Mary-Kate and Ashley Olsen, but their songs send a message of White Nationalism that some call dangerous. (ABC News)
                      [/b][/quote]

                      I'd hit it.
                      [/b][/quote]
                      They're 13...

                      give em 5 years.
                      In Construction

                      (the move messed it up)

                      Comment


                      • #12
                        Unbelievable. That's all one has to say...

                        Comment


                        • #13
                          I watched the Primetime hit piece and could not find anything the little girls said that was "hateful", unless their comments at the end that they wanted the White race to survive is ipso facto, "hate".

                          What motivated the distorted still photos of Dr William L. Pierce? How is that "journalism"?

                          Why is it wrong for Whites to want their race to survive?
                          Why is it wrong for Whites to want to keep their homelands?
                          As a species our homelands, our environments are being overrun by those species who will replace the White. That is what is happening, Whites either defend their habitat or they will disappear.

                          A Howard Unersity Law School Professor goes on CSPAN and calls for the extermination of Whites--he still has his job, and nothing in New York Times about it. Source

                          “Niggas in the church say: kill whitey all night long. . . . the white man is the devil. . . . the CRIPS and Bloods are soldiers I’m recruiting with no dispute; drive-by shooting on this white genetic mutant. . . . let’s go and kill some rednecks. . . . Menace Clan ain’t afraid. . . . I got the .380; the homies think I’m crazy because I shot a white baby; I said; I said; I said: kill whitey all night long. . . . a nigga dumping on your white ass; fuck this rap shit, nigga, I’m gonna blast. . . . I beat a white boy to the motherfucking ground”;

                          “Kill Whitey”; Menace Clan, Da Hood, 1995, Rap-A-Lot Records, Noo Trybe Records, subsidiaries of what was called Thorn EMI and now is called The EMI Group, United Kingdom.

                          “Devils fear this brand new shit. . . . I bleed them next time I see them. . . . I pray on these devils. . . . look what it has come to; who you gonna run to when we get to mobbing. . . . filling his body up with lead, yah; cracker in my way; slitting, slit his throat; watch his body shake; watch his body shake; that’s how we do it in the motherfucking [San Francisco] Bay. . . . sitting on the dock of the dirty with my AK”;

                          “Heat—featuring Jet and Spice 1”; Paris, Unleashed, 1998, Unleashed Records, Whirling Records.

                          “These devils make me sick; I love to fill them full of holes; kill them all in the daytime, broad motherfucking daylight; 12 o’clock, grab the Glock; why wait for night”

                          “Sweatin Bullets”; Brand Nubian, Everything Is Everything, 1994, Elektra Entertainment, Warner Communications, Time Warner, USA.

                          “A fight, a fight, a nigger and a white, if the nigger don’t win then we all jump in. . . . smoking all [of] America’s white boys”;

                          “A Fight”; Apache, Apache Ain’t Shit, 1993, Tommy Boy Music, Time Warner, USA.

                          “I kill a devil right now. . . . I say kill whitey all nightey long. . . . I stabbed a fucking Jew with a steeple. . . . I would kill a cracker for nothing, just for the fuck of it. . . . Menace Clan kill a cracker; jack ‘em even quicker. . . . catch that devil slipping; blow his fucking brains out”

                          “Fuck a Record Deal”; Menace Clan, Da Hood, 1995, Rap-A-Lot Records, Noo Trybe Records, subsidiaries of Thorn EMI; called The EMI Group since 1997, United Kingdom.


                          “Now I’m black but black people trip [become upset] ‘cause white people like me; white people like me but don’t like them. . . . I don’t hate whites, I just gotta death wish for motherfuckers that ain’t right”

                          “Race War”; Ice-T, Home Invasion, 1993, Priority Records, Thorn EMI; now called The EMI Group, United Kingdom.

                          “To all my Universal Soldier’s: stay at attention while I strategize an invasion; the mission be ssassination, snipers hitting Caucasians with semi-automatic shots heard around the world; my plot is to control the globe and hold the world hostage. . . . see, I got a war plan more deadlier than Hitler. . . . lyrical specialist, underworld terrorist. . . . keep the unity thick like mud. . . . I pulling out gats [handguns], launching deadly attacks”

                          “Blood for Blood”; Killarmy, Silent Weapons for Quiet Wars, 1997, Wu-Tang Records, Priority Records, The EMI Group, United Kingdom.

                          “Lead to the head of you devils”

                          “Lick Dem Muthaphuckas—Remix”; Brand Nubian, Everything Is Everything, 1994, Elektra Entertainment, Warner Communications, Time Warner, USA.

                          “This will all be over in ‘99, so, niggas, give devils the crime; gonna be more devils dying”

                          “No Surrender”; Bone Thugs-N-Harmony, Creepin on ah Come Up, 1994, Ruthless Records, Epic Records, Sony Music Entertainment, Sony, Japan.

                          “Won’t be satisfied until the devils—I see them all dead. . . . my brother is sending me more guns from down South. . . . pale face. . . . it’s all about brothers rising up, wising up, sizing up our situation. . . . you be fucking with my turf when you be fucking with my race; now face your maker and take your last breadth; the time is half-past death. . . . it’s the Armageddon. . . . go into the garage; find that old camouflage. . . . cracker-shooting nightly”

                          “What the Fuck”; Brand Nubian, Everything Is Everything, 1994, Elektra Entertainment, Warner Communications, Time Warner, USA.

                          “.44 ways to get paid. . . . I’m through with talking to these devils; now I’m ready to blast”

                          “44 Wayz—featuring Mystic”; Paris, Unleashed, 1998, Unleashed Records, Whirling Records.

                          “Like my niggas from South Central Los Angeles they found that they couldn’t handle us; Bloods, CRIPS, on the same squad, with the Essays [Latino gangbangers] up, and nigga, it’s time to rob and mob and break the white man off something lovely”

                          “The Day the Niggaz Took Over”; Dr Dre, The Chronic, 1993, Interscope Records, under Time Warner in 1993.


                          “Bust a Glock; devils get shot. . . . when God give the word me herd like the buffalo through the neighborhood; watch me blast. . . . I’m killing more crackers than Bosnia-Herzegovina, each and everyday. . . . don’t bust until you see the whites of his eyes, the whites of his skin. . . . Louis Farrakhan . . . Bloods and CRIPS, and little old me, and we all getting ready for the enemy”

                          “Enemy”; Ice Cube, Lethal Injection, 1993, Priority Records, Thorn EMI; now called The EMI Group, United Kingdom.


                          “Devil, to gangbanging there’s a positive side and the positive side is this—sooner than later the brothers will come to Islam, and they will be the soldiers for the war; what war, you ask; Armageddon; ha, ha, ha, ha, ha”

                          “Armageddon”; RBX, The RBX Files, 1995, Premeditated Records, Warner Brother Records, Time Warner, USA.

                          “Subtract the devils that get smoked. . . . we’re people, black people; steal your mind back, don’t die in their wilderness. . . . let’s point our heaters [handguns] the other way”

                          “Dial 7”; Digable Planets, Blowout Comb, 1994, Pendulum Records, Thorn EMI; now called The EMI Group, United Kingdom.

                          “Get them devil-made guns and leave them demons bleeding; give them back whips, and just feed them bullets”

                          “Wicked Ways”; Sunz of Man, One Million Strong: The Album, 1995, Mergela Records, Solar/Hines Co., Prolific Records.

                          “It’s time to send the devil to the essence. . . . this is a must because there ain’t no reform or trust; you got a Glock and you see a devil, bust. . . . they’ll be calling us the trigger men, the nappy-knotty red-beard devil-assassin; Lord make a law; at midnight I’ll be bashing. . . . field niggas [are] locked in until 2005”

                          “Field N#gguhz in a Huddle”; Professor Griff, Blood of the Prophet; 1998, Lethal Records, Mercury Records, PolyGram, Philips’ Electronics NV, Netherlands. PolyGram merged with Universal Music Group in 1998, the parent being The Seagram Company of Canada.

                          “He prays on old white ladies [who] drive the Mercedes with the windows cracked. . . . you should’ve heard the bitch screaming. . . . sticking guns in crackers’ mouths. . . . the cops can’t stop it. . . . remember 4-29-92, come on; Florence and Normandy coming to a corner near you, cracker; we’ve been through your area, mass hysteria; led by your motherfucking Menace Clan”

                          “Mad Nigga”; Menace Clan, Da Hood, 1995, Rap-A-Lot Records, Noo Trybe Records, Time Warner, USA.

                          Comment


                          • #14
                            QUOTE(thetorch @ Oct 17 2005, 10:02 PM) Quoted post

                            When is this on?


                            [/b][/quote]

                            I always knew Hitler was a low rider.
                            LONG LIVE THE NOTE!

                            Comment


                            • #15
                              QUOTE(thetorch @ Oct 22 2005, 05:38 PM) Quoted post

                              I watched the Primetime hit piece and could not find anything the little girls said that was "hateful", unless their comments at the end that they wanted the White race to survive is ipso facto, "hate".

                              What motivated the distorted still photos of Dr William L. Pierce? How is that "journalism"?

                              Why is it wrong for Whites to want their race to survive?
                              Why is it wrong for Whites to want to keep their homelands?
                              As a species our homelands, our environments are being overrun by those species who will replace the White. That is what is happening, Whites either defend their habitat or they will disappear.

                              A Howard Unersity Law School Professor goes on CSPAN and calls for the extermination of Whites--he still has his job, and nothing in New York Times about it. Source

                              “Niggas in the church say: kill whitey all night long. . . . the white man is the devil. . . . the CRIPS and Bloods are soldiers I’m recruiting with no dispute; drive-by shooting on this white genetic mutant. . . . let’s go and kill some rednecks. . . . Menace Clan ain’t afraid. . . . I got the .380; the homies think I’m crazy because I shot a white baby; I said; I said; I said: kill whitey all night long. . . . a nigga dumping on your white ass; fuck this rap shit, nigga, I’m gonna blast. . . . I beat a white boy to the motherfucking ground”;

                              “Kill Whitey”; Menace Clan, Da Hood, 1995, Rap-A-Lot Records, Noo Trybe Records, subsidiaries of what was called Thorn EMI and now is called The EMI Group, United Kingdom.

                              “Devils fear this brand new shit. . . . I bleed them next time I see them. . . . I pray on these devils. . . . look what it has come to; who you gonna run to when we get to mobbing. . . . filling his body up with lead, yah; cracker in my way; slitting, slit his throat; watch his body shake; watch his body shake; that’s how we do it in the motherfucking [San Francisco] Bay. . . . sitting on the dock of the dirty with my AK”;

                              “Heat—featuring Jet and Spice 1”; Paris, Unleashed, 1998, Unleashed Records, Whirling Records.

                              “These devils make me sick; I love to fill them full of holes; kill them all in the daytime, broad motherfucking daylight; 12 o’clock, grab the Glock; why wait for night”

                              “Sweatin Bullets”; Brand Nubian, Everything Is Everything, 1994, Elektra Entertainment, Warner Communications, Time Warner, USA.

                              “A fight, a fight, a nigger and a white, if the nigger don’t win then we all jump in. . . . smoking all [of] America’s white boys”;

                              “A Fight”; Apache, Apache Ain’t Shit, 1993, Tommy Boy Music, Time Warner, USA.

                              “I kill a devil right now. . . . I say kill whitey all nightey long. . . . I stabbed a fucking Jew with a steeple. . . . I would kill a cracker for nothing, just for the fuck of it. . . . Menace Clan kill a cracker; jack ‘em even quicker. . . . catch that devil slipping; blow his fucking brains out”

                              “Fuck a Record Deal”; Menace Clan, Da Hood, 1995, Rap-A-Lot Records, Noo Trybe Records, subsidiaries of Thorn EMI; called The EMI Group since 1997, United Kingdom.


                              “Now I’m black but black people trip [become upset] ‘cause white people like me; white people like me but don’t like them. . . . I don’t hate whites, I just gotta death wish for motherfuckers that ain’t right”

                              “Race War”; Ice-T, Home Invasion, 1993, Priority Records, Thorn EMI; now called The EMI Group, United Kingdom.

                              “To all my Universal Soldier’s: stay at attention while I strategize an invasion; the mission be ssassination, snipers hitting Caucasians with semi-automatic shots heard around the world; my plot is to control the globe and hold the world hostage. . . . see, I got a war plan more deadlier than Hitler. . . . lyrical specialist, underworld terrorist. . . . keep the unity thick like mud. . . . I pulling out gats [handguns], launching deadly attacks”

                              “Blood for Blood”; Killarmy, Silent Weapons for Quiet Wars, 1997, Wu-Tang Records, Priority Records, The EMI Group, United Kingdom.

                              “Lead to the head of you devils”

                              “Lick Dem Muthaphuckas—Remix”; Brand Nubian, Everything Is Everything, 1994, Elektra Entertainment, Warner Communications, Time Warner, USA.

                              “This will all be over in ‘99, so, niggas, give devils the crime; gonna be more devils dying”

                              “No Surrender”; Bone Thugs-N-Harmony, Creepin on ah Come Up, 1994, Ruthless Records, Epic Records, Sony Music Entertainment, Sony, Japan.

                              “Won’t be satisfied until the devils—I see them all dead. . . . my brother is sending me more guns from down South. . . . pale face. . . . it’s all about brothers rising up, wising up, sizing up our situation. . . . you be fucking with my turf when you be fucking with my race; now face your maker and take your last breadth; the time is half-past death. . . . it’s the Armageddon. . . . go into the garage; find that old camouflage. . . . cracker-shooting nightly”

                              “What the Fuck”; Brand Nubian, Everything Is Everything, 1994, Elektra Entertainment, Warner Communications, Time Warner, USA.

                              “.44 ways to get paid. . . . I’m through with talking to these devils; now I’m ready to blast”

                              “44 Wayz—featuring Mystic”; Paris, Unleashed, 1998, Unleashed Records, Whirling Records.

                              “Like my niggas from South Central Los Angeles they found that they couldn’t handle us; Bloods, CRIPS, on the same squad, with the Essays [Latino gangbangers] up, and nigga, it’s time to rob and mob and break the white man off something lovely”

                              “The Day the Niggaz Took Over”; Dr Dre, The Chronic, 1993, Interscope Records, under Time Warner in 1993.


                              “Bust a Glock; devils get shot. . . . when God give the word me herd like the buffalo through the neighborhood; watch me blast. . . . I’m killing more crackers than Bosnia-Herzegovina, each and everyday. . . . don’t bust until you see the whites of his eyes, the whites of his skin. . . . Louis Farrakhan . . . Bloods and CRIPS, and little old me, and we all getting ready for the enemy”

                              “Enemy”; Ice Cube, Lethal Injection, 1993, Priority Records, Thorn EMI; now called The EMI Group, United Kingdom.


                              “Devil, to gangbanging there’s a positive side and the positive side is this—sooner than later the brothers will come to Islam, and they will be the soldiers for the war; what war, you ask; Armageddon; ha, ha, ha, ha, ha”

                              “Armageddon”; RBX, The RBX Files, 1995, Premeditated Records, Warner Brother Records, Time Warner, USA.

                              “Subtract the devils that get smoked. . . . we’re people, black people; steal your mind back, don’t die in their wilderness. . . . let’s point our heaters [handguns] the other way”

                              “Dial 7”; Digable Planets, Blowout Comb, 1994, Pendulum Records, Thorn EMI; now called The EMI Group, United Kingdom.

                              “Get them devil-made guns and leave them demons bleeding; give them back whips, and just feed them bullets”

                              “Wicked Ways”; Sunz of Man, One Million Strong: The Album, 1995, Mergela Records, Solar/Hines Co., Prolific Records.

                              “It’s time to send the devil to the essence. . . . this is a must because there ain’t no reform or trust; you got a Glock and you see a devil, bust. . . . they’ll be calling us the trigger men, the nappy-knotty red-beard devil-assassin; Lord make a law; at midnight I’ll be bashing. . . . field niggas [are] locked in until 2005”

                              “Field N#gguhz in a Huddle”; Professor Griff, Blood of the Prophet; 1998, Lethal Records, Mercury Records, PolyGram, Philips’ Electronics NV, Netherlands. PolyGram merged with Universal Music Group in 1998, the parent being The Seagram Company of Canada.

                              “He prays on old white ladies [who] drive the Mercedes with the windows cracked. . . . you should’ve heard the bitch screaming. . . . sticking guns in crackers’ mouths. . . . the cops can’t stop it. . . . remember 4-29-92, come on; Florence and Normandy coming to a corner near you, cracker; we’ve been through your area, mass hysteria; led by your motherfucking Menace Clan”

                              “Mad Nigga”; Menace Clan, Da Hood, 1995, Rap-A-Lot Records, Noo Trybe Records, Time Warner, USA.
                              [/b][/quote]

                              I have no problem with individuals being proud of their race or even, to a point, being proud of racial purity. My lineage traces back to Robert the Bruce of Mel Gibson and "Braveheart" renown on my mother's side. On my father's side, I can trace my roots back to a 12th century graveyard in Sheffield, England. However, that line stops when your idea of racial purity is the harassment, assault, and murder of other races. I'm also pretty sure we can all agree the majority of songs and artists you listed would be considered racist, but you can't justify your own bad behavior on someone else's...just a drunken thought from your friendly neighborhood boozehound...
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